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Showing posts with label excerpts from books. Show all posts
Showing posts with label excerpts from books. Show all posts

Saturday, 10 March 2012

Chesterton and Conrad on Facts

Posted on 16:29 by simmo
© Daniel J Maxwell

In the last few days, I've been perusing two radically different books: G. K. Chesterton's The Club of Queer Trades (a first-rate audiobook) and Joseph Conrad's Heart of Darkness (my beloved publicity copy).  The first is a humorous collection of adventures in Victorian London.  The second is a profound, psychological study set in Africa under British imperialism.  Two books could not be more unlike.  But while I was reviewing some of the more outstanding quotes today, it struck me both books have similar things to say...on the subject of facts.

It's a weird coincidence.  I have a habit of reading multiple books at once, but between books of different genre, there is rarely such a complete, simultaneous overlap of message/meaning.  If it doesn't bore you to tears, read the excerpts below and tell me if I'm just seeing things:

   "Facts," murmured Basil, like one mentioning some strange, far-off animals, "how facts obscure the truth. I may be silly—in fact, I'm off my head—but I never could believe in that man—what's his name, in those capital stories?—Sherlock Holmes. Every detail points to something, certainly; but generally to the wrong thing. Facts point in all directions, it seems to me, like the thousands of twigs on a tree. It's only the life of the tree that has unity and goes up—only the green blood that springs, like a fountain, at the stars."

* * *

    "But, after all," I said, "this is very fanciful—perfectly absurd. Look at the mere facts. You have never seen the man before, you—"
    "Oh, the mere facts," he cried out in a kind of despair. "The mere facts! Do you really admit—are you still so sunk in superstitions, so clinging to dim and prehistoric altars, that you believe in facts? Do you not trust an immediate impression?"
- Chesterton


   For a time I would feel I belonged still to a world of straightforward facts; but the feeling would not last long. Something would turn up to scare it away. Once, I remember, we came upon a man-of-war anchored off the coast. There wasn't even a shed there, and she was shelling the bush. It appears the French had one of their wars going on thereabouts. Her ensign dropped limp like a rag; the muzzles of the long six-inch guns stuck out all over the low hull; the greasy, slimy swell swung her up lazily and let her down, swaying her thin masts. In the empty immensity of earth, sky, and water, there she was, incomprehensible, firing into a continent. Pop, would go one of the six-inch guns; a small flame would dart and vanish, a little white smoke would disappear, a tiny projectile would give a feeble screech -- and nothing happened. Nothing could happen. There was a touch of insanity in the proceeding, a sense of lugubrious drollery in the sight; and it was not dissipated by somebody on board assuring me earnestly there was a camp of natives -- he called them enemies! -- hidden out of sight somewhere.

* * *
I believed it in the same way one of you might believe there are inhabitants in the planet Mars. I knew once a Scotch sailmaker who was certain, dead sure, there were people in Mars. If you asked him for some idea how they looked and behaved, he would get shy and mutter something about 'walking on all-fours.' If you as much as smiled, he would -- though a man of sixty -- offer to fight you. I would not have gone so far as to fight for Kurtz, but I went for him near enough to a lie. You know I hate, detest, and can't bear a lie, not because I am straighter than the rest of us, but simply because it appalls me. There is a taint of death, a flavour of mortality in lies -- which is exactly what I hate and detest in the world -- what I want to forget. It makes me miserable and sick, like biting something rotten would do. Temperament, I suppose. Well, I went near enough to it by letting the young fool there believe anything he liked to imagine as to my influence in Europe. I became in an instant as much of a pretence as the rest of the bewitched pilgrims. This simply because I had a notion it somehow would be of help to that Kurtz whom at the time I did not see -- you understand. He was just a word for me. I did not see the man in the name any more than you do. Do you see him? Do you see the story? Do you see anything?
- Conrad
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Thursday, 23 September 2010

"'Dr. Watson, Mr. Sherlock Holmes,' said Stamford, introducing us."

Posted on 08:47 by simmo
"Who is Sherlock Holmes?"

    Few people ask this question, because almost anyone could give an answer to it.  Sherlock Holmes is one of those unusual literary characters who lives outside of his stories; ask that question, and most people will be able to tell you that he's a detective, distinguishable from other detectives due to the accessories of a magnifying glass, deerstalker hat, and pipe.  He is as well-known by name as Santa Claus, Frankenstein, or Dracula.  He is, as others have put it, "the world's most famous detective"; he's the detective to whom nearly all other fictional detectives are compared.  Before we ever "meet" Sherlock Holmes in the books, we have an idea of who he is.  But does this idea truly answer the question?
   Interestingly, we're not the only ones who think we know Holmes before we've met him.  In the very first chapter of A Study in Scarlet, Dr John H. Watson is a wounded soldier just returned to England; and, by chance, he hears of Sherlock Holmes through an old acquaintance, Stamford.  Contrary to what you'd expect, Watson does not ask "Who is Sherlock Holmes?"  Instead, he assumes he already knows what kind of person Holmes is ("'A medical student, I suppose?'"), and he would probably have stuck to these assumptions, were it not for Stamford's apprehensions ("'You don't know Sherlock Holmes yet'").  When later he finally meets Sherlock Holmes himself, Watson learns that Holmes is far from being the quiet medical student he expected him to be.

* * *

   The entrance of any great character is usually a turning-point in the story, and often a representation of who the character is or what they do.  On the surface, there is something surprisingly un-Sherlockian about Watson's meeting Holmes; and yet, simultaneously, there are elements in this introduction which are definitive of Holmes's character, as well as of Watson's role as friend and biographer.  One of these elements is the subject of Holmes's "first lines", as it were.

   "'You have been in Afghanistan, I perceive.'"

This sentence is often thought of as Holmes's first line in the series; however, it is really his third.  His first line happens to be "'I've found it!  I've found it'".  These words are significant in many ways, but most especially interesting is the parallel (intentional or unintentional, I don't know) between Holmes and Archimedes--the mathematician who is famous for supposedly having cried "Eureka!" after finding "a method for determining the volume of an object with an irregular shape" (Wikipedia).  Eureka translates to "I have found it" (Wikipedia).  This is the first of at least three comparisons between Holmes and geniuses of Ancient Greece.  Later on, in Chapter 2, Holmes is compared to Euclid, and again in Chapter 1 of The Sign of Four.  Perhaps even more surprising is the fact that these parallels are made in the first two books of a very long series, before Holmes is shown to be a genius at solving numerous cases.  And yet he lives up to it.  He is a character who enters the story with perfect self-confidence, independent of Watson or the readers' approval.

   Holmes's second line is very simple, and one which does not instantly seem important:  "'How are you?' he said cordially".  Its importance is, however, underlined by the fact that Holmes almost instantly resumes his previous exclamations regarding his chemistry experiment and discovery.  In a way, one wonders why eccentric Holmes bothered with this formality at all, when he was in the middle of a momentous experiment and the deduction about Watson having been an army doctor.  But was it just a formality?  After all, judging from other stories, "How are you?" is not a typical greeting from Holmes.  I can't help but wonder if, maybe, he really meant it, knowing as he did (via his deductions) that Watson was in poor health.  If so, this would be the first of countless instances in which we see Holmes's philanthropic side, that part of his personality and principles which proves that we can't think of him as just being a cold, scientific "machine".  Nor is he constantly depressed or stoic, either:

"'Ha! ha!' he cried, clapping his hands, and looking as delighted as a child with a new toy. 'What do you think of that?'"



[The Holmes book quotes are from A Study in Scarlet] 
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Tuesday, 20 July 2010

Quote of the day

Posted on 14:54 by simmo
"For I believe that much of a man's character will be found betokened in his backbone. I would rather feel your spine than your skull, whoever you are. A thin joist of a spine never yet upheld a full and noble soul. I rejoice in my spine, as in the firm audacious staff of that flag which I fling half out to the world." - Moby-Dick, Chapter 80

:P  

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Wednesday, 7 July 2010

You know you've been reading too much Moby-Dick when...

Posted on 10:44 by simmo
 ...you glance at a shopping list and, for a split second, read one of the headings as "Whale Fishery".  What it actually says is "Whole Foods".

:P

Years ago, when I first tried to read this book (and stopped halfway), I thought it was the most boring classic I'd ever read, as well as one of the hardest books I'd ever read.  The plot is pretty simple--an insane captain sets out to get revenge on a whale.  The book, however, happens to be over 600 pages long.  It alternates between telling the story and talking about whales, with whole chapters that read like encyclopedia articles with author's commentary.

Surprisingly enough, though, this time I like it.

The writing style is very interesting.  It's first-person, but the narrator is able to tell the reader practically as much as third-person narration does.  Sometimes the narrator tells the story like any other author, with even comic relief.  Other times he goes on for chapters about whaling, and whales, and his thoughts.  And, every time he changes the subject, he usually starts a new chapter.

The narrator himself is really annoying.  I mean REALLY annoying.  Why is it that, with all his self-righteousness of being fair and unbiased, he would still seem to be prejudiced towards certain kinds of people?  I especially disliked his attempted ironic comparison of the Quakers' pacifism and their whale-hunting.  I think it goes without saying that there's a big difference between killing a person and killing a whale. 

As far as Captain Ahab goes, the book brings out his sanity more than the movie version does.  There was, for example, an interesting subplot that shows how scheming he could be; I also get the impression that, before he lost his leg, he seemed to be a pretty normal person.  I'm going to have to watch the film again, but these seem to be a couple of the differences between the book and the film.

In any case, Starbuck is my favourite character. He is a rational character amidst "the madness of crowds".  "'Vengeance on a dumb brute!' cried Starbuck, 'that simply smote thee from blindest instinct! Madness!'"

Now, I've seen the 1956 version (a good movie, by the way), so I know how the story is going to end.  But the thing about Moby-Dick, is that it's almost like a mystery.  In some ways, it's more suspenseful than a mystery, because it's not a story I can completely understand.  And it's not like Lord of the Rings, either, where you can keep finding the answers to your questions--I don't know if that's possible with Moby-Dick.  It's just really complex...an extraordinary book which tries to explain every little thing to the reader, and yet leaves me with nearly as many questions as before.



Something which I only learned recently is that a true-story whaling accident was part of the inspiration for writing Moby-Dick, and it just so happened that I had already read a book about it.  The Wreck of the Whaleship Essex is an eyewitness narrative written in 1821 by Owen Chase, who was the second in command.  It's a must-read in my opinion, an amazing survival story.  Even if I hadn't ended up reading Moby-Dick later on, I was glad to have read Chase's book first. I always prefer reading a book written by somebody who was actually there; and these days, whaling stories may not be as glamorous as pirates and Royal Navy books, but they're nonetheless a fascinating part of American history.


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Thursday, 10 June 2010

Courage

Posted on 14:50 by simmo
"'I will have no man in my boat,' said Starbuck, 'who is not afraid of a whale.'  By this, he seemed to mean, not only that the most reliable and useful courage was that which arises from the fair estimation of the encountered peril, but that an utterly fearless man is a far more dangerous comrade than a coward."

- Moby-Dick, by Herman Melville


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Monday, 1 February 2010

Lol

Posted on 20:10 by simmo
Fanny left the room with a very sorrowful heart; she could not feel the difference to be so small, she could not think of living with her aunt with anything like satisfaction. As soon as she met with Edmund she told him her distress.

"Cousin," said she, "something is going to happen which I do not like at all; and though you have often persuaded me into being reconciled to things that I disliked at first, you will not be able to do it now. I am going to live entirely with my aunt Norris."

"Indeed!"

"Yes; my aunt Bertram has just told me so. It is quite settled. I am to leave Mansfield Park, and go to the White House, I suppose, as soon as she is removed there."
;)

Been re-reading Mansfield Park...I also want to re-read S&S and Emma (which was my favourite).  I'm not much of a fan of Austen's writing style, but I've been appreciating it more this time around.  What's your favourite Jane Austen story, and why?

BTW, thanks to everyone for voting on the poll--and if you haven't voted yet, I'd appreciate it if you did!  =)

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Sunday, 31 January 2010

The church steeple

Posted on 02:00 by simmo
Every Sabbath morning in the summer time I thrust back the curtain, to watch the sunrise stealing down a steeple, which stands opposite my chamber-window. First, the weathercock begins to flash; then, a fainter lustre gives the spire an airy aspect; next it encroaches on the tower, and causes the index of the dial to glisten like gold, as it points to the gilded figure of the hour. Now, the loftiest window gleams, and now the lower. The carved framework of the portal is marked strongly out. At length, the morning glory, in its descent from heaven, comes down the stone steps, one by one; and there stands the steeple, glowing with fresh radiance, while the shades of twilight still hide themselves among the nooks of the adjacent buildings. Methinks, though the same sun brightens it every fair morning, yet the steeple has a peculiar robe of brightness for the Sabbath.

By dwelling near a church, a person soon contracts an attachment for the edifice. We naturally personify it, and conceive its massive walls and its dim emptiness to be instinct with a calm, and meditative, and somewhat melancholy spirit. But the steeple stands foremost, in our thoughts, as well as locally. It impresses us as a giant, with a mind comprehensive and discriminating enough to care for the great and small concerns of all the town. Hourly, while it speaks a moral to the few that think, it reminds thousands of busy individuals of their separate and most secret affairs. It is the steeple, too, that flings abroad the hurried and irregular accents of general alarm; neither have gladness and festivity found a better utterance, than by its tongue; and when the dead are slowly passing to their home, the steeple has a melancholy voice to bid them welcome. Yet, in spite of this connection with human interests, what a moral loneliness, on week-days, broods round about its stately height! It has no kindred with the houses above which it towers; it looks down into the narrow thoroughfare, the lonelier, because the crowd are elbowing their passage at its base. A glance at the body of the church deepens this impression. Within, by the light of distant windows, amid refracted shadows, we discern the vacant pews and empty galleries, the silent organ, the voiceless pulpit, and the clock, which tells to solitude how time is passing. Time,--where man lives not,--what is it but eternity? And in the church, we might suppose, are garnered up, throughout the week, all thoughts and feelings that have reference to eternity, until the holy day comes round again, to let them forth. Might not, then, its more appropriate site be in the outskirts of the town, with space for old trees to wave around it, and throw their solemn shadows over a quiet green? We will say more of this, hereafter.
...from "Sunday at Home", by Nathaniel Hawthorne


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