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Thursday, 27 January 2011

SHERLOCK: promo + review of ep. 1

Posted on 17:05 by simmo




[Love his expression at 0:27.]

Ok, I should have written this a couple of months ago.  And it's not going to be as analytical as I should have liked.  ;)  But here goes:

Episode I:  A Study in Pink
My overall rating: 4 out of 5 stars

Just come back from the war, Dr John Watson is depressed, bored, and financially strained, until he meets an old acquaintance, Stamford.  Stamford introduces him to Sherlock Holmes, a mysterious, unpredictable young man, who has an amazing talent for detection, and what he calls "the Science of Deduction".  Like Watson, Sherlock also needs an inexpensive place to live, so they agree to pay half-and-half on rooms at 221b Baker Street.  Watson's new residence might be more costly than he expects, however, as he follows Holmes on a dangerous attempt to solve a series of murders.

As you can see, I still can't get used to calling him "Sherlock", but it actually doesn't sound silly in the context of the show.  ;)  This is the most eccentric portrayal of Holmes I've seen yet--to the point of becoming rather creepy.  Some of it is straight from the books (beating the corpse, for example); and I'd say that this quote from A Study in Scarlet sums it up well:

"Holmes is a little too scientific for my tastes -- it approaches to cold-bloodedness. I could imagine his giving a friend a little pinch of the latest vegetable alkaloid, not out of malevolence, you understand, but simply out of a spirit of inquiry in order to have an accurate idea of the effects."

I think this is the first time that I've found this quote to be true.  :P  And sometimes I think they overdid it, making him too callous and not very personable.  On the other hand, I wouldn't be surprised if that was the impression Holmes made on Victorian readers.

There were some things I loved about Cumberbatch as Holmes, though.  First of all, his age--he's only supposed to be 27 at the beginning of the series, so it was great to see a young Holmes, for once.  Secondly (and in the same vein), he was a good balance between brilliant and slightly inexperienced; he made a small mistake in one of his deductions, and in another scene he betrayed a weakness for desperately wanting to know if he was right.  More than once you can actually see the young Holmes who once loftily said, "I know well that I have it in me to make my name famous."  Thirdly, he's unromantic (for once!), dedicated to his work, and as amazing at his thought-processes as he is in the book. 

We're able to literally read his thoughts, as the clues he sees and the text messages he sends ("I prefer to text") show up on the screen in very cool subtitles. This doesn't detract from his genius.  Quite the contrary, actually; it's neat to read his deductions, step by step.  This and the cinematography in general are excellent.  Sometimes Sherlock explains his thoughts to Watson or Lestrade--he talks super fast, but Cumberbatch can do it while still being understandable.  And he's got a very Holmesian voice!

But, dare I say it, I think Watson stole the show during the first episode.  A doctor and a blogger, Freeman as Watson wonderfully portrays Watson's doubts, strengths, and sense of loyalty.  He takes an instant interest in Holmes's work, and tries to be helpful as he meanwhile attempts to understand Holmes's eccentric personality.  Watson's a likeable, admirable character in his own way, and it was easier to sympathize with him. 

I think one of the obvious but major differences between this TV version and other versions was the fact that it took place in modern-day.  The story, in a certain sense, seemed more real than if it were the 1940s or 1890s.  It was the same Holmes and Watson, and the same stories; but seeing them in 2008 or 2009 (for example) is something you can actually relate to, and almost lends a little more credibility to the story (not that it needs any, but just saying).

A few other things I loved about this episode were the soundtrack, Holmes and Watson's meeting (PERFECT!), and 221b Baker Street, which was really cool.  I gave this episode only 4 stars instead of 5 because there was some bad language/profanity and because Holmes's eccentricity was too over-the-top at times.  Overall I'd say that this episode, content-wise, was comparable to Poirot, Miss Marple, and Jeremy Brett's Sherlock Holmes.


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Saturday, 22 January 2011

Book Review: The Shadow-Line

Posted on 09:11 by simmo

The Shadow-Line, A Confession
by Joseph Conrad
Edition:  Oxford World's Classics, paperback
My overall rating:  5 out of 5 stars.  Recommended.


A young merchant officer finds his career taking an unforeseen turn, when he is suddenly promoted to becoming captain of his first ship.  What he doesn't know is that its last captain died a deranged man; and the ship's second-in-command, Mr Burns, is still haunted by the memory. And when the voyage starts to go very wrong, the new captain realises he must fight something different than physical hardships, if he is to lead the ship safely to port.

This is the third story by Conrad I've read, and maybe even the best.  It is only about 130 pages long and very readable, but Conrad's signature style--full of eerie atmosphere, eccentric characters, and intense narration--was strong from start to finish.  At the same time, The Shadow-Line has a very youthful narrator with an entirely different "voice" than Marlowe (the narrator of several Conrad books).  Another thing that impressed me was the perfect flow of narration, which covered a lot of time but didn't feel rushed or abrupt.  And he could depict each setting very clearly and poignantly, without wallowing in superfluous description.  I don't agree with everything he says, but Conrad's writing style is pure genius, in my opinion.

This book feels like a portrait of one event in the narrator's life.  The title would confirm this--the "shadow-line" refers to the "line" which a person crosses as they go from youth to "grownup".  This is the overall focus of the book, but unlike similar books, I wonder if there might be something else underlying this story.  There is certainly a strain of mystery--and even ghost story--in the whole thing, especially in the characters--what it is that Captain Giles leaves unsaid, what made the ship's former violinist-captain go crazy (and no, it wasn't the violin-playing, lol), what kind of person the ship's steward really is, etc.  This is the brilliant realism of The Shadow Line...some things we'll never find out.  

Another theme (foreshadowed again by the title) is the power of guilt.  Without describing this subplot, I will say that it's very well-written.  I don't get the impression that the narrator was self-pitying, and he didn't run away from his responsibility. 

I loved the bittersweet ending, too.  Unlike Heart of Darkness, which ends in as much mystery as it began, the ending of Shadow-Line felt complete, and the themes of the story were pretty clearly defined.  So not only being a short, page-turner read, I think The Shadow-Line was a very worthwhile one.


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Friday, 21 January 2011

Because I needed more sewing projects

Posted on 22:41 by simmo
...not!  ;)

Frock coat - This is a gorgeous coat (sans skull embroidery).  I love the style--it's so old-fashioned and wonderfully Victorian.  The only problem?  I haven't found the right sewing pattern yet.

"Sherlock" coat - Ok, I really don't *need* this, but it's very cool.  :)  I don't exactly feel like spending $200, but I wouldn't mind making one for $30 (or less).

Knit sweater vest - I wish my knitting skills were more advanced, because I'd love to knit a grey vest with this pattern (though with a few adjustments).  Very classic.

Alas, as all of these are somewhat detailed, I think I'll have to wait until summer.  And by then I'll have a million other sewing projects planned as well...in addition to all the ones I had before.  ;)

What are your future sewing projects? 


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Wednesday, 12 January 2011

Life is sweet, II

Posted on 16:13 by simmo
Life Is Sweet

What made your life sweet this past week?
  1. Digital painting in GIMP
  2. Reading The Shadow-Line, by Joseph Conrad.  His writing style is phenomenal. 
  3. Homemade cookies!
  4. Working on my latest poem, which is 3/4 finished.  Finished poem will be four parts, four stanzas per part, four lines per stanza...64 lines total.  :P 
  5. The school library, with its amazing collection of classic lit (that almost nobody else reads)
  6. Knowing how to tie a scarf in a European loop.  It's cool, practical, and (to my sheepishness) absurdly simple.
  7. Mount Rainier on a snowy day
  8. Listening to opera arias (again, lol)
  9. Rain  :)
  10. Reading blogs.  (If you want to see some inspiring art, go to Christina's latest blog post, at wunderkind-lucy.livejournal.com)


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Tuesday, 11 January 2011

Book Review: The Limit

Posted on 03:00 by simmo
The Limit
by Kristen Landon
Edition:  Aladdin, hardback, 2010
My overall rating: 2 out of 5 stars.  {Had the ending been better, I would've given it a 3.5 or 4.0}

The story:  To pay off his parents' debt, Matt Dunston is taken away to a modern-day workhouse, run by a charismatic woman and a high-tech security system.  After his intelligence and skill earn him the "Top Floor" of the building--where only the smartest kids live--his luxurious, privileged life there begins to contradict his previous expectations.  But when some of the other teens start suffering from headaches and seizures, Matt realises he's got to discover what's really going on, or else watch his loved one get overcome by the same influence.

My thoughts:  This book had an interesting plot basis--I would call it a speculative sci-fi/horror, with an extremely intelligent 13 year-old guy as the protagonist (similar to Airborn).  I found the writing style way more readable than Airborn; The Limit has more flow, more characterized dialogue, and less objectionable content.  It was a real page-turner, too.  The action was very well-written and it complimented the dialogue.  Excellent writing.

The teen characters were also really good, especially Matt.  He was not entirely likeable, but he was consistent, without being a flat character.  He's a website hacker with an attitude, to name just a couple of his faults; but at the workhouse, he turns his skills to fighting crime, keeping a level head and lots of persistence during imprisonment.  (The downside is that website hacking is here presented as a survival skill.  Hmm...great example for young readers.)  Matt's grim sense of humour made me LOL more than once.  I guess he's supposed to be a "realistic, flawed" character...if so, then the author succeeded.

That pretty much sums up the pros of this book.  As for the cons, there were a few things that really bugged me.  *MINOR SPOILERS*

Firstly, the Dunston parents' unconcern for their kids--it happened far too quickly.  If the Dunstons are supposed to represent the average parents (as they seem to), it ought to take longer before they stop worrying about their absent children, especially when one of them is very ill.  Even if they aren't the best parents in the world, they seem unrealistically gullible.  Secondly, where's their true sense of guilt?  The lack thereof is maybe more believable than their indifference to the loss of their children, but their cheerful self-confidence in making things right sounds like an unlikely case of naivete (Example: they believe they can earn money through a pyramid-scheme type of scam.  And I thought this was a futuristic book.).  This puzzling portrayal of the Dunston parents only serves to give Matt an excuse for getting mad at them.
  
Another thing I disliked was that the conspiracy behind the workhouse, once briefly explained, was skimmed over.  It made the sinister workhouse appear too complex and on the verge of unbelievability.  It felt as if the conspiracy was more effective as convenient drama than an actual plot element.  This weak climax hurt the rest of the plot.

Lastly, there's the message of the book itself.  I'm still puzzling over exactly what the author was trying to say...

*MAJOR SPOILERS*



The last chapter was all "We're still at the workhouse, but everyone's ok and the new managers are nice!"  Maybe the ending is an attempt to finish the story on an optimistic note; I don't know.  It certainly didn't succeed...you can either take Matt seriously and listen to the "parents are dumb, I'm smart and will save the day, and maybe the workhouse isn't so bad" speech, or you can look at it as Matt being pathetically naive, like his parents.  Up until now, the reader has taken Matt seriously, so option 2 doesn't seem likely.

Overspending is dangerous, and it does lead to loading debt on a person's family/children.  But there's still the topic of the workhouse idea.  Are we to seriously believe that a real-life workhouse would be some kind of pleasant institution, where teens make friends, take college classes, and earn "big bucks" towards paying off debt?  Are we to believe that Matt won't go into long-term depression over his split family?  [And do the Dunston parents really quit spending?   Their spending habits seem to depend on whether it goes with the plot or not.]

This book was obviously written with a message in mind, and it seems to have been a true message at that.  But for the message to be clear, a less chipper ending would have been more appropriate.    


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Tuesday, 4 January 2011

Life is sweet

Posted on 20:25 by simmo
Link up at Shilah, Ara's blog!


Life Is Sweet


10 things that make me happy
{in no particular order}

  1. Waltzes, polonaises, ballets...all those wonderful classical-music songs you can dance to.
  2. Typing in Small Caps   ^_^
  3. Sharing inside jokes with my sibs!
  4. Writing stories and poetry.  It may not amount to much, but it makes me feel like I've truly accomplished something.
  5. Ocean skies--those times when the clouds look like oceans and islands in the sky.
  6. Naming characters!
  7. Watching The Red-Headed League for the umpteenth time!
  8. Peach Apricot Honeybush Tea.  If only it wasn't discontinued.  :(
  9. Listening to my favourite opera arias.
  10. Pounding on the piano.  :)
  11.  
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    Monday, 3 January 2011

    "Round and round the garden like a teddy bear"

    Posted on 06:00 by simmo
    So I finally learned how to play BBC's "Sherlock" themes on piano.  ^_^  Mind you, when I say "play", I really mean "pound"--my piano playing is about as pretty as the quadratic formula.  Couple that with a piano that's out of tune, and you have a most melodious music.  The Sherlock soundtrack is so good, though, that hopefully it makes up for my piano playing.  ;)



    [More videos from meriadoc4]

    I figured it out by ear...the second theme is definitely in the wrong key, though.  :P 

    I wasn't so sure if I liked the soundtrack at first, but the more I've heard it the more I like it!  Especially that second theme--very catchy.  Needless to say, I've been playing these songs over and over again this past week...much to the annoyance of my family, I daresay.  :)


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    Saturday, 1 January 2011

    Book Review: The Master of Ballantrae

    Posted on 19:50 by simmo

    The Master of Ballantrae
    by Robert Louis Stevenson
    Edition:  Dover, paperback (not the edition pictured)
    My overall rating:  3.8 out of 5 stars

    Charming, conniving, cruel, yet loved by almost all who know him, James Durisdeer is the oldest son of a Scottish nobleman, and destined--as he believes--for a life of fame, success, and power.  Against others' wishes, he leaves his estate and sets out to become a soldier, only to find that his immoral and wasteful lifestyle leads him to ruin.  He takes out his anger on his younger brother, through whom James means to drain the Durisdeer estate of its wealth.

    But apart from James, this book is as much about Henry Durie, who is the younger brother and the more responsible of the two.  Like Guy Morville, Gregor Samsa, and Frodo Baggins, Henry is an upright young man with a strong sense of duty, a person whose consistent goodness is just as consistently persecuted by evil.  Unlike saintly Sir Guy and stoic Frodo, however, Henry is more of an average guy, who heart is torn between hatred, brotherly love, and the seeming impossibility of forgiving his enemy.

    This was a very strange book, in that its purpose is not easily defined, that the narration and settings vary vastly from one chapter to the next, and, too, for the fact that the ending was rather anticlimactic.  Was Stevenson trying to make a statement, tell a memorable story, and/or portray character traits of people he had met?  I don't know.  I was struck, though, by Henry's love, which (within the realms of his sanity) ultimately overpowered all his suffering and bitterness.  Even James's charisma and tenacity, which made it to the end of the book, can't hold a candle to Henry's noble character.

    In summary then, it was a rather depressing book, but in some ways worthwhile.  On the other hand, there was a lot of profanity, and the book wasn't particularly page-turning, so I wouldn't give it a higher rating. 


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        • Because I needed more sewing projects
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